Weekly Comic Round-Up

Every week (roughly) Aaron goes to the Laughing Ogre in Columbus, Ohio and spends far more money than his wife would prefer. He then comes back here and writes about the comics he reads that he thought were noteworthy. This isn't everything he picks up, just the things that he feels merit discussion - either for being really good, or for having something really wrong with them.

Death of the New Gods 1
Ok, I know that this takes away all of my geek cred, but I have to say it. I have never been that amazed with Jack Kirby.

I know. I know. Send in the hounds.

In all fairness, I admire his work. Kirby is to comic books what Orson Welles was to cinema. He revolutionized ways of doing things, and took the bare bones laid by those who came before him and redefined how things would be done forever after him.

But that doesn’t change the fact that since he redefined things, some folks have done it better. There are plenty of artists who I think are better, and certainly there are superior writers. So, with that said and upfront, let’s just start off by saying I’ve never been that impressed with the New Gods. In fact, the only reason I even looked at this book was because it ties in to Countdown, even if it doesn’t do so explicitly.

Man, I almost passed on a really good thing. The action is tightly paced, and the art is really crisp and clean. A device is used to show who is narrating each section with a small symbol placed in the narration boxes, and it works really well.

Case in point? I have absolutely nothing invested in any of the three gods who died this issue. But each death hit me.

And Darkseid getting one-step ahead of Metron? Priceless.

Captain America 31
Bucky is still my personal pick to be the new Captain America. But they’re sure doing their level best to make it hard for him. Having been captured in the last issue by the Red Skull and Dr. Faustus (remember, the guy who brainwashed Sharon Carter into shooting Steve Rogers, and to convince a huge percentage of S.H.I.E.L.D. agents to quit?), they’re doing their best to break Bucky, by convincing him that Steve Rogers abandoned him.

The fantasies they create are interesting, though a bit unsubtle. And I don’t really understand why it is that the last one worked on Bucky when the others didn’t. (If it did at all – that’s still left to some debate, depending on whether or not next month’s issue opens up with a dead Agent 13.)

Meanwhile, Tony Stark is having a really bad month. We’ll see more of his bad month in the other books on the round-up, but having to deal with a S.H.I.E.L.D. organization he can’t rely on, and a Falcon and Black Widow who were stunned by a rogue Agent 13, to say nothing of the looming threat of the Red Skull, makes for a rough time for Iron Man.

Brubecker is quickly becoming my favorite Cap author, and that’s not an easy task to accomplish.

In other Captain America news, I picked up Captain America: The Chosen 3 this week as well. Just… don’t. And if they make that guy the new Captain America, I may be as done with Cap as I will be with Spider-Man once One More Day is finished.

(And yes, I know that the idea of using a perfectly new hero to replace the dead/missing/retired icon has worked well in comics before. I still really dig Kyle Rayner, Steel and Connor Kent. But Knightfall would’ve made me happier if Dick Grayson had become Batman, and I’m going to be really upset if the new Cap is a random soldier.)

Booster Gold 3
A comic book where a hero has disgraced himself in order to be able to save the timestream, but who will never be able to get the credit for it, is not what people would expect to be among the more “fun” titles out there today.

People would be wrong.

Booster, Rip and Skeets continue to bounce through time to make reality come together as it’s supposed to. And along the way (in this issue alone), Booster gets drunk alongside Jonah Hex, saved the doctor who will deliver Johnathan Kent’s father, deals with his ancestor Daniel and the double issue of discovering that the Supernova suit was stolen and the fact that he needs to get Daniel together with his future wife, and meets Barry Allen and Wally West – when Wally was still Kid Flash.

This book may be the best title published today. It’s fun, it’s fast-paced, the action is good, and it turns a character who had been little more than a joke into a major part of the DCU.

If you’re not reading this title, close your computer, walk or drive to your nearest comic book store, and pick up all three issues.

Now.

Marvel Zombies 2 1
I am so very, very, very torn about this book.

Why? Well, because on the one hand, I want to like it. And it had moments that I found absolutely perfect. The Galactus/Marvel zombies finding Ego, the Living Planet? That was so beautiful it brought a tear to my eye.

And there were other parts of it I enjoyed too. I liked the idea that Janet Van Dyne’s zombie head, now in control of her hunger, was still a part of the leading council. I liked the idea that, even after the zombie decimation, humans and mutants would still have differing opinions on how life should go on. It even worked for me that Cortez’s son would want to usurp T’Challa.

But the plot holes… dear god, the plot holes. If all it took was a week or so of the zombies not feeding for them to get back in control of themselves, then why did the zombie FF not regain control while they were trapped in the Baxter Building?

And of all the minds who are with the Galactus zombies, would it really be Peter Parker who first noticed that the hunger became less terrible with time? Really? Heck, if anything, I would think it would be Wolverine, with his heightened awareness of his body.

Oh, don’t get me wrong, I’ll keep reading it. But I was really hoping for better from this series, and Issue 1 isn’t as promising as I’d have liked.

Birds of Prey 111
Another one-off issue, but one that I think hit the nail on the head a little better than last month’s. (Not that there was anything wrong with the Helena issue, it just wasn’t quite as amazing.) Barbara needs to get to a localized Intranet to recover information about her identity from when the Watchtower was destroyed. Unfortunately, the Calculator had the same idea, and so both of them have infiltrated a convention taking place at the company’s HQ.

At the convention, Oracle and the Calculator end up bumping into one another while each is trying to get to the intranet, and so they both decide to distract the other by going to lunch together. There’s some cute flirtation between the two, and then they go back to their attempts to hack the intranet.

As these things must, a fight develops, though due to clever writing about a supervillain’s blind spots, despite the fact that Oracle breaks the Calculator’s leg, he doesn’t believe that Barbara is Oracle. The way that Misfit and the Huntress send the cavalry in when Barbara gets in trouble is nothing short of brilliant either.

Booster Gold may be my favorite ongoing title at the moment, but it’s a close contest with Birds of Prey.

A few books which don’t deserve an entire write-up, but are worth picking up if you get the chance. Penance 2 continues on just as strongly as the first issue did, with Robbie going after the Robot Master, for one reason and one reason only. He wants to get Nitro. And the secret of the numbers he’s been writing? They’re revealed. This issue would be another part of Tony Stark’s bad day. In all fairness, this book does deserve a full write-up, but I didn’t want to spoil any part of it. Meanwhile, Justice League 14 continues the battle between the Injustice Gang (or Legion of Doom, if we want to be honest) and the League, and does so wonderfully. I only had two complaints with it – the first being that things are happening so fast that they lack some of the attention they deserve. A new Shaggy Man? Grodd trying to break Geo-Force? Kryptonite paint? They’re all great ideas, and I just would have liked them to get a little more attention. My second complaint, and this is minor, is that in the splash page where Luthor shows Superman and Black Lightning the captured League is a bit too overtly sexualized in how it shows the captured heroines. Trust me, I know that superheroines in bondage is a common nerd fantasy, and has been ever since the early days of Wonder Woman. But I don’t need to be beat over the head with it. Finally, Mighty Avengers 5 manages to earn a little bit of respect from me in how Ares’ handles Ultron. The problem is how flawed other elements of the comic were. Frankly, Ultron shouldn’t be able to stand up to a pissed-off Sentry. “Power of a thousand exploding suns”, remember? Going to be going toe-to-toe with the Hulk in a week or so. And Ultron just killed his wife (maybe). Ultron should’ve been pulped. And I still think that the thought balloons seem more reflective of an editorial voice than that of the character they’re attached to.

So, that’s what I found noteworthy this week in comics. And if you’re not reading over there already, keep up with the developments in the world of superhero film and television at Superheroflix.

New Captain America

Marvel has revealed pictures of the new Captain America, with a costume designed by Alex Ross.

No word yet on who it'll be, but Marvel has said it will not be Steve Rogers in the costume.

I kind of dig the costume, but don't see why it was needed. Much like Ben Riley's Spider-Man costume it's a decent moderinizing without dishonoring the original, but was it needed? No.

Weekly Comics Round-Up

Every week (roughly) Aaron goes to the Laughing Ogre in Columbus, Ohio and spends far more money than his wife would prefer. He then comes back here and writes about the comics he reads that he thought were noteworthy. This isn't everything he picks up, just the things that he feels merit discussion - either for being really good, or for having something really wrong with them.

Countdown to Mystery 1
This book focuses on three of the major players in the mystic community of the DCU – the helmet of Dr. Fate, Eclipso and the Spectre. The rules of magic in the DCU have, after all, been rewritten following Infinite Crisis and the death of Nabu – something we also see this week in the pages of Countdown and Shadowpact. Though even with Nabu being dead, there must always be a Doctor Fate – and the helmet of fate finds a new Dr. Kent Nelson. This Nelson is a drunk, who has lost his wife and child and practice due to his own stupidity and depression. Nonetheless, he puts the helmet on when he finds it in the dumpster he was dumped in. The helmet fills him in on the history of the helmet, as well as reminding him of his own past – just in time for him to be attacked by a hell hound. He transforms into Dr. Fate and takes the hound out, and is then confronted by the beast’s master.

Meanwhile, the Spectre kills a serial killer – whose ghost then decides to follow the Spectre as he is drawn to another crisis. It’s a short story, all of two or so pages, but I imagine it’ll get picked up in later issues.

Finally we come to Eclipso. Jean Loring finds Plastic Man, and taunts him as they battle, eventually (probably) turning Eel O’Brian to the Dark Side. It’s an interesting little story, though I don’t really approve of Plas being so casually used. I think the character has a lot more inner strength then they let us see here. The issue ends with a flashback to Eclipso being drawn to Apokolips – where Darkseid tells us that he was the creator of the Black Diamonds. Interesting if true, and it means that Eclipso will no doubt be pulled into the ongoing murders of the New Gods.

A nice solid issue.

Captain America 30
The Winter Soldier has found the Red Skull in the body of Lushkin, and proceeds to beat the crap out of Crossbones and Syn while the Skull watches. Once the Skull finds out what he needed to know about Bucky, he uses an old Russian failsafe to shut him down – which leads to him torturing Bucky, probably in an effort to re-brainwash him.

As for the other folks who were a part of Steve’s life, we begin to see storylines come together as the Black Widow goes to find the Falcon and Agent 13 at Stark’s behest. Stark has begun to uncover Faustus’ involvement in S.H.I.E.L.D., and Natasha is there to check Sharon out. Of course, Sharon has an unexpected surprise as she finds a final “gift” left to her by Steve, which makes her perfectly receptive to another one of Faustus’ commands – one which bodes ill for the Falcon and the Black Widow.

Stark is on his way to the rescue in time for next issue, but before he leaves we get to see a final letter to Tony from Steve – one where Steve says that Captain America is bigger than he is, and that Tony shouldn’t let that die.

Personally, I’d still rather see Clint Barton take over the role, but it looks like Bucky may be wearing the mask of Captain America in a short time – provided the Skull doesn’t take him over first.

Penance: Relentless 1
I wasn’t thrilled with the last solo issue they gave Penance. I really like Robby Baldwin, and have ever since the first issue of Speedball. I felt like they didn’t quite know what to do with him following the transformation into Penance in the pages of Civil War. This issue, however, gets it.

Quite simply, Robby has lost it. He’s suffering from PTSD, and it has made him reckless, and obsessed with numbers. As one doctor observing him notes, the neurons in his brain were actually burned out by the stress, and so Robby is re-inventing himself. I have no clue what the deal with the numbers is, but I’m digging watching him throw off his handlers, and flummoxing the normally smooth Moonstone.

The big mystery of this issue, however, isn’t what the number patterns mean. It’s what Robby wants to get back from "the Leader of Latveria" – presumbaly Doom, but who can say?

Tales of the Sinestro Corps: Parallax 1
Kyle Rayner is possessed by Parallax. This is, clearly, a bad thing. There are any number of reasons why this is bad – as a symbol, Rayner represents the idea that the Corps will survive any disaster, he’s an amazingly creative artist which Parallax can now use against the Corps, and it means that Ion has lost his host (although he has since been rescued).

This issue lets us see how this is going on inside of Kyle’s head. He’s imprisoned in his own mind, and can see what Parallax is doing through him through a window in his mother’s house. Parallax comes in to taunt him, which leads to a fight – in which Kyle reinvents himself as a Green Lantern once again.

It’s really well done, and a nice reminder of the fact that Kyle has the will to be a Lantern, despite not being selected in a conventional manner. Kyle often gets the short-stick when compared to other Lanterns, but he has

World War Hulk 4
There isn’t a single thing bad about this issue. We begin with a battle between the possessed Dr. Strange and the Hulk. It seems the good doctor has drank the essence of a demon which fills him with rage and power. Enough power to hurt the Hulk, but enough rage to nearly kill a group of innocents – the same group of innocents who the Hulk saves. This is enough of a shock to Strange that the Hulk manages to defeat him, and is able to add Strange to the group of Illuminati who are no implanted with the same control discs the Hulk and his warbound once wore. While the Hulk puts them through the same trials he was put through, we see a flashback between the Sentry and Iron Man, as Tony tries to convince Robert that he needs to be the one to take out the Hulk – something which Robert fears to do, lest he lose control and the Void takes over once more. The issue ends with the Hulk signalling that the Illuminati in the arena must kill one another, which seems to be the trigger that Robert needs to decide that the Sentry must come into action.

It’s exquisitely put together, with great writing and amazing artwork. What amazes me, however, is how effective the scenes of ordinary humans watching and cheering the gladiator match are. Even more significant are the testimonials of Tom Foster and the others who believe (possibly correctly) that the Hulk is in the right here.

I still resent Planet Hulk for it’s length and annoyingness. But with how good World War Hulk has been, I’m beginning to forgive them for it.

A few books which don’t deserve an entire write-up, but are worth picking up if you get the chance. In Green Arrow and Black Canary: Wedding Special we have a generally fun issue, with nice characterization (if occasionally painted with too broad of strokes). My only complaints would be that it was generally predictable – even the wedding being crashed by villains. The ending irritated me, however. Dinah is better than that. Birds of Prey 116 is a good read, and lots of fun as we watch the Huntress chatting with Barbara via uplink while trying to stop a group of kids who are in danger of bombing the city because of being “fans” of the Aromic Skull. It was good, but ultimately unimportant as it did nothing to further any character’s story. Good filler, but filler nonetheless.

This particular week’s issue of Countdown was ok – but nothing terribly exciting happened. Stories are progressing as they should, but no major event happened this particular week. What I did find interesting was the new ad that DC is running to tease Final Crisis. The groupings in this double-page spread include A) The Trickster, holding a flute (presumably Piper’s) speaking with DeSaad and the Penguin. B) The Kingdom Come version of Superman standing besides the Cyborg Hank Henshaw, with a man who appears to be a version of the “back from the dead” Superman (long hair, and in all-black costume. His back is to us, but he wears a black cape with a silver “S” shield. C) The Joker whispering something into Catwoman’s ear, while the Martian Manhunter stands behind them both. D) A far too-excited Mary Marvel standing between Eclipso (Jean Lorring) and Granny Goodness, and finally E) Luthor, in the silver-age purple jumpsuit, wailing on the ground with blood on his hands. Interesting teases about what the future may hold.

Five superhero films no one should ever watch

Ever, ever, ever.

This weekend, some friends and I got together to watch movies. We had three genres, and the group picked the best and the worst in each. One of the genres was "superhero," and the consensus of the group (though not one I personally agree with) was that X-Men was the best, and that Superman IV was the worst (which I do agree with, mostly.)

But it occurred to me that, while The Quest for Peace is pretty much only watchable with either a lot of alcohol, or good friends to mock it with, there are lots of other terrible superhero films. So, here are five of the worst offenders, in chronological order.

The Batman (1943)
I don’t quite know where to begin with my critique of this movie. There are so many wonderful things about it, really, that I’m not sure which to start with.

Perhaps it’s the racial epithets Batman uses to describe our Japanese villain – I mean, really, don’t we all want to see the Dark Knight call someone “a filthy Jap”? Of course, there’s also the fact that this Japanese villain is played by a very Caucasian looking man. We’re not even talking Max Von Sydow as Ming level here, but just a clearly white man. Of special note, there’s Robin’s afro – a classic look, and one which I can’t figure out why they never included in the comics. This coordinates beautifully with the baggy tights which both Batman and Robin sport.

But really, the thing that I find most remarkable about this serial is the fact that, in an effort to end every episode with a cliffhanger, Batman and Robin each seem incapable of fighting off a single thug each. Really, why is this? I can forgive special effects of this era being primitive, and I’m even willing to grant them license for the racial epithets in light of the U.S. preparing to enter the war. But fist-fighting hasn’t evolved all that much in the past 60 years. Simple combat choreography should have been manageable, even then. If you want to inflict a racist, bad-looking Batman on us, so be it. But couldn’t he at least be competent?

Superman IV: The Quest for Peace (1987)
In the late eighties, we were obsessed with worrying about a possible nuclear war. It only makes sense that someone would ask “Wouldn’t it be nice if Superman could take care of this for us?” And that’s what the makers of this film did. But oh boy, did they do a terrible job of it.

First off, it was about the preachiest movie I’ve ever seen. There are nuns in Catholic schools who could learn something about trying to make you feel guilty from this film – if you felt like torturing them in order for them to learn. But even getting past that, it’s just bad. Neither Hackman nor Reeves can save this one, though Reeves is really trying to. He delivers the worst line I’ve ever heard and makes them sound… well, like he means them. Hackman’s performance is phoned in completely, and the movie can’t even be consistent with its’ own rules (Nuclear Man enters a volcano to make it erupt – but he gets depowered without sunlight. And Luthor cuts through Superman’s hair with bolt cutters.)

Which really is what the worst part of the film is – the Nuclear Man. Who is created wearing a cape. Who has a mullet. Whose Lee-Press-On-Nails-of-Doom are what cripple Superman. And who forces us to endure one national monument after another be used to illustrate “Ooh, he’s a bad guy.” And Mark Pillow (yes, that’s his name) doesn’t even get to deliver his own lines! His voice is Gene Hackman’s.

I appreciate the fact that they tried to give Superman a supervillain to fight, but just say no to Nuclear Man.

The Incredible Hulk Returns (1988)/The Trial of the Incredible Hulk (1989)
(I know I’m cheating by including both of these together – bear with me. That's how they're packaged if you buy them - which you should not, but I did.) Lou Ferigno wore a false nose and a wig, in addition to being painted green, in order to play the Incredible Hulk. This only added to how ridiculous he looked – but somehow it worked. And the series was entertaining, in a 1970’s kind of way, probably due to the incredible acting skills of Bill Bixby.

I remember watching re-runs as a kid on Saturday mornings, and really digging them. So when they announced made-for-tv movies with the Hulk returning, I was ecstatic and forced my parents to let me watch them. I owe my parents a lot.

Every single part of these movies was deplorable. The “ninja-costume” Daredevil. Thor, the ancient Viking warrior (not god) who is summoned by (but not transformed into by) Donald Blake. Bill Bixby with a beard. John Rhys-Davis as the Kingpin. It’s just a lot of pain. The even more remarkable thing is that each of these were intended to also be pilots for a Thor or Daredevil series. Obviously, these never came to be.

They were followed up with The Death of the Incredible Hulk, which was a decent enough film, except for the very ending. (Because a fall from a helicopter is enough to kill the Hulk. Really.) A Resurrection of the Incredible Hulk was promised, but never came to be, largely because Bill Bixby passed away before it could become a reality. Of course, frighteningly, these might have been used as pilots for a She-Hulk or Iron Man series.

Ang Lee’s Hulk wasn’t good, but it was a lot better than these two turkeys. Gamma bomb them from orbit, it's the only way to be sure.

Captain America (1990)
(singing) When Captain America (in his rubber costume complete with artificial ears) throws his mighty (made of hard, ridged plastic) shield…

We cringe. A lot. The costume was atrocious, right up there with the bat-nipples from Batman & Robin. The shield looked like a toy, not the mightiest weapon available to the U.S. A heat gun could’ve destroyed it – so much for an unbreakable shield.

For reasons that will never be known to me, they also decided that the Red Skull shouldn’t be a German Nazi. Instead, he’s an Italian fascist. And his face doesn’t actually look like a skull – it just looks oogie. When Captain America re-awakens in the modern era, the Skull has disguised his appearance by painting the red flesh colored. So, he looks marginally less oogie.

And once more, we’re treated to an incompetent superhero. This movie is only 17 years old. I know for a fact that there were movies made before this film that had good fight-scenes. But “the Living Legend,” the pinnacle of human achievement, the most highly trained warrior produced by the US army – he fights like a drunken seventh-grader.

Catwoman (2004)
Do you remember seeing Lee Meriwether, Eartha Kitt, Julie Newmar or Michelle Pfeiffer playing Catwoman? They did so in the 1960’s television series and movie, and then in Batman Returns. Each of them was sexy, cunning and dangerous, and played a marvelous rendition of Selina Kyle.

I remember when they announced that the woman responsible for wasting the role of Storm (and she did) was going to be playing Catwoman in her own feature film. And I thought, Well, this is a waste. Why didn’t they do this ten years ago when Michelle Pfeiffer could have starred in the role? Then they further announced that she wasn’t going to be Selina Kyle, she was going to be Prudence Price. Ok, I thought, well at least this atrocity won’t be connected to the character of Selina Kyle. She’s just some other crazy cat-lady.

And then I saw the preview images from the film. There was a reasonable costume for her to wear, which she began off in. And then there was this one. To which I could only think to myself, Well, I have now seen the only thing in this movie that could possibly be worth seeing – namely a mostly-nude Halle Berry.

Little did I realize how right I was. That image was the only thing worth seeing. Save yourself, and look at the screen-shots, but avoid this film.

So, which terrible superhero films are among your favorite (or most hated?)

Top ten non-superpowered superheroes

A short-time ago we discussed the various pastiches of Superman overthe years. And while I stand by the statement I made there, that in many universes the World’s Greatest Superhero (tm) is a flying strongman in a cape, what is almost as interesting is that the second place character is usually a person with no superpowers at all.

Below you’ll find my take on the top ten non-superpowered superheroes. But before we get into this list deeply, there are going to be some notable absences, so let me explain them off the bat.

1) I didn’t include any sidekicks/spin-off heroes, no matter how noteworthy they are in their own right (though Nightwing really almost forced me to break this rule). This means we won’t see Robin, Speedy or Bucky on this list.

2) I also didn’t include superheroes who have superpowers, even if they proved themselves as heroes without their powers. So, despite the fact that Dinah Lance is just as competent a hero as Green Arrow, Huntress or Oracle without her sonic scream, she didn’t make the list. Neither did Storm.

3) “Borderline” superpowered heroes didn’t make the list either, even when it pained me to leave them off. As a result, you won’t see Hawkeye (who has superhumanly good eyesight), Moon Knight (who sometimes is written as having supernatural power due toKhonshu), or Wildcat (with his mystical nine lives) despite the fact that these characters are usually considered non-powered.

4) I didn’t include any primarily gun-wielding heroes. While many of the folks on this list do stretch my definition of a superhero in that they have killed, guns really serve no purpose other than “Make the other person dead.” I also think of soldiers and super-spies as a different breed than cape & mask heroes, so Nick Fury, the Punisher and any of the Old West supers didn’t make the cut for this list.

5) Finally, while most “normal human” superheroes do use high-tech gadgets of some sort, if they are entirely (or even mostly) dependent on a gadget for their superheroic acts, they didn’t make the list. WhileTony Stark and Hal Jordan may be ordinary humans, their equipment disqualifies them from this list. Sometimes this was a hard choice to make, and several of my favorite “normal human” heroes got cut as aresult (I’m looking at you, Blue Beetle and Night Thrasher).

But enough with the rules, let’s bring on the heroes!

10) Nighthawk (Supreme Power, Marvel Comics)
Kyle Richmond watched his parents be cut down as a result of a racial-inspired hate crime. Using his father’s investments to build a successful corporation, Richmond has trained himself in martial arts and investigation to hunt down those who commit crimes against African-Americans as Nighthawk.

Why he made the cut: The original version of Nighthawk was little more than a copy of DC’s Batman, but the Supreme Power version of the character has enough differences to make him notable in his own right. Nighthawk has all the paranoia about superhumans that Batman does, but adds in a healthy issue of race-relation paranoia.

Why he’s number 10: As interesting as they’ve made him in Supreme Power, it’s hard to ignore the fact that he is really an almost direct copy of someone much higher on this list.

9) The Confessor II (Astro City, Wildstorm Comics)
Wearing an all black costume with a large white cross on his chest, the Confessor protects Astro City by night. The Confessor focuses on“ordinary” crime – and is the one stopping the city from being looted while Samaritan fights off the alien invasion.

Why he made the cut: The original Confessor was a Roman-Catholic priest turned vampire, whose costume was made in part to harm him enough thathe would avoid the temptation of drinking blood. He later recruited a sidekick – Altar Boy, who became the Confessor after the original gave his life fighting off an alien invasion. Altar Boy had no superpowers of his own, which makes the present Confessor more like the characters he emulated. Astro City features a number of other non-superpowered heroes, including the ever-lovable Crackerjack, but the Confessor has a more prominent position in the universe.

Why he’s number 9: As good as the former Altar Boy’s story is, the Confessor was far more interesting as a vampire. As a normal human, the new Confessor has a neat look, but really has little terribly original about him.

8) Yeoman (Wild Cards novels)

Daniel Brennan was a US Army Captain who made the enmity of a high-ranking traitor in the Army of the Republic of Vietnam. Framed for murder, Brennan fled the country. While in exile he studied Zen Archery and martial arts. He returned to the United States to track down his foe, ending up in New York City, the haven for Aces and Jokers. Having no superhuman powers, he nevertheless became well known as the Ace ofSpades killer and battled many superpowered Aces and Jokers, even helping end the Swarm invasion.

Why he made the cut: Yeoman is nearly unique in the Wild Cards universe in being a vigilante who wasn’t touched by the Wild Card virus. TheWild Cards novels are a deadlier place than most comics, making Brennan’s life that much harder.

Why he’s number 8: Firstly, Brennan is a killer – something he doesn’t hide from. It’s also impossible not to look at him and see a mesh of the Punisher and Green Arrow. As fascinating as I find him, he is more unique due to his setting than anything noteworthy about the character himself.

7) Citizen V/Baron Helmut Zemo (Thunderbolts, Marvel Comics)

The original leader of the Thunderbolts, Baron Zemo masqueraded as Citizen V. Using high technology, martial arts, sword-fighting skills, and a natural sense of leadership, Citizen V was the perfect disguise– invoking the memory of Captain America without copying him.

Why he made the cut: It took him longer than the rest of the Thunderbolts, but Zemo did eventually evolve into a hero. His look was astounding, and fit well with the idea of a normal human leading a team of superheroes – something which was the case with most teams of Avengers. What was even more interesting, to my way of thinking, was that it took banishment from earth for Zemo to begin to be a hero. Since then, he has ruled the world, given up god-like power, been betrayed, and allowed all of it to happen. Zemo’s evolution remains fascinating, and I can’t wait to see what happens next to Helmut.

Why he’s number 7: Zemo pushes against most of the rules of this list, honestly. While he may be one of my favorites, and I might even have made a Citizen V costume one summer, he is a former villain, and may in fact still be one now. He has killed, and will probably do so again. He also was the possessor of not one, but two Moonstones, pushing him in the "had superpowers" category. They didn’t define him, the way that Iron Man’s armor or Green Lantern’s power ring do, but it pushed the borders of how I defined this list. So, despite my intense love of the character, I really couldn't justify putting him any higher on the list.

6) The Spirit (Will Eisner, now DC Comics)
Denny Colt, with the blessing of the police commissioner (an old friend), fights crime as the masked hero – the Spirit. The Spirit’s adventures ranged from noir detective work, to horror stories, to comedy– sometimes more than once in a single issue. With no superhuman powers, the Spirit is nonetheless a competent hand-to-hand fighter and detective.

Why he made the cut: The Spirit paved the way for the non-powered detective/martial artist we’ve come to see so often in comic books. On top of that, he was created by Wil Eisner – which in and of itself makes him notable.

Why he’s number 6: Despite the legacy the Spirit can claim, it doesn’t change the fact that to the layperson, he’s barely known. It hurt to put characters whose origins can be traced directly to him higher on the list, but the Spirit just isn’t well-enough known to the public to justify putting him higher. With a movie coming out, and a regular series of comics through DC, that may change, but for now, he leads the back of the pack.

5) The Question (DC Comics)
Charles Victor Szasz was trained by Richard Dragon, the greatest martial artist in the DCU in martial arts and philosophy. An investigative reporter by day, he uses his identity as the Question to resolve problems that “Vic Sage” can’t touch. After Vic succumbed to cancer, former Gotham Detective Renee Montoya takes up the mantle of the Question.

Why he/she made the cut: There are a few reasons that the Question stands out among the detective/martial artists who inhabit comics. One is their distinct look – there is something massively unsettling about the appearance of a person with no face. The Vic Sage Question also had a rather memorable run on Justice League: Unlimited, which has helped bring the character to the mind of many. He was always a favorite of mine, but the JLU appearance did a lot to strengthen that. And being voiced by Jeffery Combs did nothing to hurt either. Their appearances in 52 and Countdown have also brought the Questions to the forefront of the DCU. The Question is also the basis for Rorschach from Watchmen, who is one of the most endearing sociopathic heroes in all of comics.

Why they’re number 5: The Question is one of my all-time favorite heroes, but even with the recent surge of attention, they are still second or third-tier characters. That might change a bit with Renee Montoya, especially with her relationship with Batwoman, but at the moment the Question remains in the middle of the pack.

4) The Green Hornet (Various)

Newspaper publisher Britt Reid, grand-nephew to the Lone Ranger, masquerades as the Green Hornet – a vigilante who is considered a crime boss by police and criminals alike. This deception allows Reid to discover much about his enemies. Armed with this knowledge, his loyal companion Kato, and the amazing Black Beauty, the Green Hornet is a threat to criminals everywhere.

Why he made the cut: The Green Hornet loaned so much of his mythology to future heroes that it really is remarkable. But what is even more amazing is how much remains unique to him – not the least of which being his status as crime boss. (Marvel’s Shroud doesn’t do it half as well.) His gadgets are second to none, and he even has a memorable bit of theme music – even if it was written by Rimsky-Korsakov.

Why he’s number 4: It is absolutely no knock against the Hornet himself that he only made it to number four on the list. It really comes down to the fact that the three people ahead of him on the list are just that much more notable. Starting with one who has stolen his color…

3) Green Arrow (DC Comics)

Millionaire playboy Olliver Queen was stranded on a desert island by a crime boss. His own survival instinct plus a lifelong fascination with archery saved him from a grisly fate, and when he returned to civilization, he decided to use his new identity to protect the “little guy” as the Emerald Archer, Green Arrow.

Why he made the cut: Green Arrow is one of the more notable “normal human” heroes in comics today, and his fame is only growing. In addition to comics and cartoons, Green Arrow has also been included in the Smallville mythology, and is even going to have a movie made about him (probably). Though he started as a Batman knock-off, he has grown to be a champion of liberal causes, and has started the legacy for numerous other heroes, including the current Speedy, Mia Derden and the former Speedy, RoyHarper, who is now a member of the Justice League as Red Arrow. He has also developed a rivalry with Deathstroke – the single deadliest assassin in the DCU. And on top of all that, he just proposed to theBlack Canary, Dinah Lance.

Why he’s number 3: As amazing as Ollie is, and how rapid his ascent has been, he still remains just out of reach of the top-tier of superheroes. To comic fans, few characters are as beloved as Olliver Queen is today, but he still lacks the name recognition of Spider-Man, Superman or the top two spots on this list.

2) Batman (DC Comics)

His parents gunned down at a young age, Bruce Wayne swore that he would never allow what happened to him to happen to anyone else. Heir to a vast empire of wealth, Bruce travelled across the world, honing his mind and body to become the ultimate weapon against crime. Already a brilliant detective, martial artist, tactician and scientist, Bruce crafted a disguise to strike terror into the hearts of criminals. He has had many allies in this war against crime, but deep inside, Bruce remains a loner. Still, no hero is as feared as the Batman is.

Why he made the cut: Because he’s the Batman, that’s why. Few superheroes have the recognition as an icon that he does. Bruce Wayne represents the ultimate in what a human can strive for, and is one ofthe “Big Three” of the DCU. Batman has out fought everyone, and has contingency plan after contingency plan for future battles. He has trained several Robins, one of whom, Dick Grayson. has become such an important hero in DC Comics that he honestly deserves a place on this list himself. He has inspired numerous other heroes, including the Huntress and two different Batgirls. His arsenal is nearly as well known as his origin story, and he has been the subject of more movies and television shows than any other superhero. No list of “human” superheroes would be complete without him.

Why he’s number 2: This will be probably the most contentious placement on this list, because for many Batman is what people think of as the non-powered superhero. I struggled between placing him in the number one or number two slot, and ultimately went with who I chose as the winner because of what that character represents. Batman is, at heart, a story about vengeance. Bruce’s mission has grown beyond that, but that’s where its’ roots are. Batman also inspires fear above anything else, and I wanted the number one position to belong to a hero who inspires hope in all those around him, even after his death.

1) Captain America (Marvel Comics)
Despite being a patriot, Steve Rogers was deemed unfit for duty during the Second World War due to his scrawny physique. Offered an opportunity to take part in a secret Super-Soldier program, Steve Rogers was transformed to the peak of human ability and trained by the army. Armed with an unbreakable shield, and possessing unmatched leadership and tactical skills, Steve became Captain America. Frozen in ice for years and released in the modern day, Captain America is still regarded by nearly all in the Marvel Universe as the ultimate expression of what a hero should be, even as he struggles to find his place in modern-day America.

Why he made the cut: In the Marvel Universe, no one is a greater hero than Cap. Cap has led several incarnations of the Avengers, leading gods, mutants, aliens and robots despite having no powers of his own. He has stood toe-to-toe with the likes of the Hulk, Thanos and Ultron, and come out on top. His sidekicks have become potent heroes in their own right, and other nations have champions who are clearly inspired by Captain America, such as Union Jack and the Red Guardian.

Why he’s number 1: Cap isn’t just an unpowered superhero, he is a leader of superheroes. Cap inspires hope and loyalty in those around him and is one of the few who are worthy of wielding Thor’s enchanted hammer, Mjolnir. No matter how jaded or bitter a hero is, when they work alongside Cap, even the likes of Wolverine, Spider-Man and Luke Cage find ways to be members of a team. When Captain America opposed the Registration Act, he gave legitimacy to the cause. Without Cap, those who refused to register would have been despised by all. But with Captain America leading the resistance, it made people think about why heroes might oppose the law, even in the wake of Stamford. After being assassinated, Steve Rogers has continued to inspire heroism in his memory. He may not be as well known as Batman, and may have even lost to him in Marvel vs. DC several years ago, but Captain America is the single largest symbol of hope to the Marvel Universe, and for that reason, he is my pick for number one.

So, what do you think? Who do you think deserves a place on this list but didn’t get one? Where would you have moved people around on the list? I’d love to hear.